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Folk Songs of the New World  (LP)

US Capitol - P8324 (1955)

recorded 30 Mar & 19 Apr & 19 May 1955

The Roger Wagner Chorale
original settings by Roger Wagner and Salli Terri
soloists -
     Salli Terri
     Earl Wrightson
     Marilyn Horne
     Harve Presnell

produced by Robert E Myers

Black is the Color
I've been Working on the Railroad
Wayfaring Stranger
I Wonder as I Wander  (solo - Salli Terri)
On Top of Old Smoky
Shenandoah  (solo - Earl Wrightson)
Skip to Mah Lou
He's Gone Away  (solo - Marilyn Horne and Harve Presnell)
Drunken Sailor
Streets of Laredo  (solo - Harve Presnell)
Sometimes I Feel Like A Motherless Child  (solo - Salli Terri)
Blue Tail Fly

Liner notes by Roger Wagner and Salli Terri

US Capitol - P8324
Folk Songs of the new World album cover
click on pic for full size image

from The Mono Maven Surveys Capitol FDS Recordings Review -

Check out those soloists: Harve Presnell, later from the movie "The Unsinkable Molly Brown" and more seriously in the Cohen Bros' "Fargo"; and Salli Terri (who appears in "Duets With the Spanish Guitar"). She co-arranged these familiar songs with Mr. Wagner. And then there's the simply ab-fab Marilynn [sic.] Horne. We hear Ms. Horne only in the plaintive ballad He's Gone Away, but it is only one of the many vocal highlights in this album. Other songs include: Black is the Color, I Wonder as I Wander, On Top of Old Smokey, Shenandoah, Streets of Laredo, Sometimes I Feel Like a Motherless Child, and - no kidding - I've Been Working on the Railroad. That program probably couldn't be performed today with a straight face.

Like the other recordings in the Capitol FDS series with the Roger Wagner Chorale (especially "Folk Songs of the Frontier", FDS P8332) this is a pretty fine demo record. Unlike your garden variety demo, this one has an unprocessed presentation so uncharacteristic of the medium that you will wonder why recording producers generally eschew the practice. The answer is simple and yet elusive: dynamic range.

A small choral group such as the Roger Wagner Chorale has just the right constitution for a recording, requiring little if any compression or fudging at any stage once the microphones are placed. Mid-fifties tube microphones and wide-band analog tape did full justice to the medium.

The arrangements are something of a hoot - not the slightest bit authentic, no matter what your definition of that might be. The singing style is what you might call "disciplined," which was very much in vogue in the fifties and sixties for youthful choral groups. Imagine determination mixed with enthusiasm; that's Roger Wagner.

- Leonard Norwitz  (Enjoy The

Harve Presnell - Obituary (The New York Times, 2nd July 2009)
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album cover pic from Teresa Myers
info re soloists from Enda and Linda Bracken
thanks to Enda Bracken for the Leonard Norwitz review
comments and contributions to
last revised 22 January 2011